The rhetoric of interculturality and the subject migrant in general corner of Pablo Neruda

Resultado de la investigación: Contribución a una revistaArtículoInvestigaciónrevisión exhaustiva

2 Citas (Scopus)

Resumen

Canto general is an expression of intercultural rhetoric in Latin American and unfolds at four defined levels: 1) the one of language, 2) of literary structure, 3) of figurative and symbolic structures and 3) of world vision. The poet displays an ample register, from the formal to the colloquial, while framing his work within the parameters of epic genre. His metaphoric spectrum is wide and pays tribute to the various pre-Columbian cultures. Furthermore, in Canto general we find the displaced individual, the decentered one that moves from one place to the other in a dynamic manner, and one whose memory is fragmented besides. Thus, Neruda traces Latin American history back from its origins to present day.
Idioma originalInglés estadounidense
PublicaciónTonos Digital
EstadoPublicada - 1 ene 2017

Huella dactilar

cross-culturality
rhetoric
migrant
Data storage equipment
colloquial
genre
writer
present
history
language
Pablo Neruda
The Cantos
Migrants
Interculturality
Rhetoric
Epic
Poet
Metaphoric
Language
Figurative

Citar esto

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The rhetoric of interculturality and the subject migrant in general corner of Pablo Neruda. / Cozman, Camilo Fernández.

En: Tonos Digital, 01.01.2017.

Resultado de la investigación: Contribución a una revistaArtículoInvestigaciónrevisión exhaustiva

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