Canto de sirena de gregorio martínez y la estética de la novela posterior al" boom"

Jorge Valenzuela Garcés

doi:10.4067/S0717-68482018000200011

Canto de sirena de gregorio martínez y la estética de la novela posterior al" boom"

Título traducido de la contribución: Canto de sirena by gregorio martínez and the aesthetics of the novel after the “boom”

Jorge Valenzuela Garcés

Resultado de la investigación: Contribución a una revista › Artículo › revisión exhaustiva

1 Cita (Scopus)

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© 2018, Universidad de Concepcion. All rights reserved. In this article, the novel Canto de sirena by peruvian writer Gregorio Martínez (1942-2017) is analyzed based on the aesthetics that nurtured postboom writers. Our purpose is to observe the use of certain assumptions, principles and strategies that were generated for the new novelist in response to the aesthetics of the “boom” and the project of the total novel that became his novelistic ideal. We use the theoretical framework and the ideas put forward by Ángel Rama (1981) and Antonio Skármeta (1984) around the new generation of Latin American narrators.

Título traducido de la contribución	Canto de sirena by gregorio martínez and the aesthetics of the novel after the “boom”
Idioma original	Español
Páginas (desde-hasta)	11-24
Número de páginas	14
Publicación	Acta Literaria
DOI	https://doi.org/10.4067/S0717-68482018000200011
Estado	Publicada - 1 dic. 2018

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Canto de sirena de gregorio martínez y la estética de la novela posterior al" boom"

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